top of page
Passerini ritratto 6.jpg
_DSC6676.jpg
k.jpeg

ROSSINI OPERA FESTIVAL

AUGUST 10, 15, 18, 22

Il barbiere di Siviglia, G. Rossini

JACK SWANSON Il Conte d’Almaviva

CARLO LEPORE Bartolo

MARIA KATAEVA Rosina

ANDRZEJ FILONCZYK Figaro

MICHELE PERTUSI Don Basilio

ORCHESTRA SINFONICA G. ROSSINI

LORENZO PASSERINI conductor

2.jpg
KahleAcoustics-Paviljonki-WilhelmSali-02-photoAkukonOy.jpg

Jyväskylä Sinfonia

Symphonic concert: Beethoven

September 12

7b0a5a984f93feeb607627ba6f8b8840.jpg

Symphonic concert: Rheinberger, Guilmant

September 15

Essener Philharmoniker

NORMA - TEATRO MASSIMO

PALERMO - APRIL 2023

"The discovery and, at the same time, the catalyzing element of the night, is the baton of the very young Lorenzo Passerini, who has a barbaric, passionate vision of “Norma”, one could say it is almost Verdi-like. [...] The Orchestra of Teatro Massimo is at its best, in one of the best nights in recent years. It responds with an avalanche of wonderful sounds, "as the roar of thunder", following the phrasing inputs that come from the podium, as if subjugated by the strong personality of the conductor, which radiates there. And we are ready to bet - we will hear about him again in the future." (Giuseppe Guggino)

LA SONNAMBULA - TEATRO SAN CARLO

NAPLES - JANUARY 2022

"[...] what happened last Sunday, January 30th, at the San Carlo theater will remain in the memory of those who were present as one of the most exciting evenings in the recent history of the theater. [...] At this point, it would be out of place to assess the performances and take into account any vocal imprecision; on such an occasion, it is better to focus on the positive aspects, starting with the conduction of Lorenzo Passerini, who gave the score a truly theatrical character, at times with a brilliant instrumental background, at others framing the voices with imposing sound effects. The Orchestra of the San Carlo Theater has found again the form that lately seemed to be lost, with various dynamics, an endless range of colors and a perfect interconnection with the stage, so that in some moments they seemed to breathe together." (Bruno Tredicine, OperaClick) 

bottom of page